Pictures and Frames

March 9

PICTURES AND FRAMES

I paint my way into the corners of the frame. Each picture I fill diligently, color, texture, all the tricks I use. I work hard to get the desired effect. I hold nothing back; I put heart and hopes forward. I load my brush with pigment; I propel my tongue out of my mouth. I use it for balance like a kangaroo uses its tail. Stroke after stroke, I layer the image. My depiction is fresh to me. I bring the green, the red, the blue, blue, blues; all of those flow from me. The canvas fills; my soul soars through the tinctures. Then the disappointment begins, the complaint and lamentations. The perspective is off. I can’t seem to contain this scene within the confines of this gilded prison. I re-adjust. I tilt my head; I paint from the bottom up, then the top down. No, no. I must pick up a new canvas, the frame oak, burnished and honeyed brown. I cast to the side the gilt and sculptured casing; I lay it along the wall with the others, the many discards of life. As yet, the obvious has escaped me; the tint, the hue, angle, size may diverge but that is all. I have recreated the same scene in all the frames. In all my attempts, I have painted only one picture.

Learn your process.

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Résistance

Resisting tough love

is approaching long run action

with short run thinking.

I hate to set the toddling babe down lest he fall,

but in the end if I do not put him down

he and I will both be the worse for it.

Whether I see a forest or I see trees

depends so very much on my perspective,

also on my willingness to delay

the prevention of minor scrapes

to eliminate the need for permanent scaring.

The theme is greater personal responsibility

and less irrational fear.

Guarding tomorrow’s possibilities

by not hamstringing them today

through the resistance of tough love

saves lives, it saves mine.